He is beautiful like the retractability of the fangs of birds of prey; or also like the unsteadiness of the muscular movements in the wounds of the soft tissues in the region of the back of the neck; or even more like this permanently effective rat trap, which is always re-tightened by the caught animal, i.e. it can automatically take in rodents indefinitely and even works hidden under straw; and especially like the chance meeting of a sewing machine and an umbrella on a dissection table!
(Lautréamont, »Les Chants de Maldoror«)



When computer technology and genetic research meet Buddhist prayer wheels... media sculptures that address momentous cultural encounters and media strategies that aesthetically negotiate social models of the transcultural.